Wednesday, 16 May 2012

Art as decadence

I cannot phrase it any better than this:
...not only the work of the expensive artists who made the headlines like Hirst, Jeff Koons and Takashi Murakami, but also many of the conceptual artists patronised by public galleries—and French rococo, a movement that extolled frivolity, luxury and dilettantism, patronised by a corrupt and decadent ancien régime. Boucher’s art represented the degradation of the baroque school’s classical and Christian values into a heavenly zone of soft porn, shorn of danger, conflict and moral purpose. Similarly, Hirst’s work represents the degeneration of the modernist project from its mission to sweep away art’s “bourgeois relics” into a set of eye-pleasing and sentimental visual tropes.
The ultimate goal of revolution is to end up in the same place only worse off than ever.
Read the full article on: http://www.prospectmagazine.co.uk/2010/05/why-is-modern-art-so-bad/

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